a seventy-page collection of polaroids, rejects the history of straight photography in favor of an aesthetic which more closely represents the processes and products of human memory. I use double exposure to recreate the experience of montage and simultaneity as if seeing through the mind’s eye. Some areas of the image are flooded with information, others are mixed and unclear, while still others are so repetitive they become blurred. In this way, my aim is to capture the feeling of a place and to document its essence, rather than its exact likeness.